Introduction by Ko Smith Working with a restricted palette and an oft-used term of phrase, the “American Landscape” paintings respond to a tendency to present, view, and discuss issues through a “Black and White” lens–often hyperbolic and unnuanced–and demonstrate the subtleties present even in such polarized discussions by pushing, pulling, pouring, and sometimes tearing at the paint surface. I’ve restricted my pallet to different types of black and white paint, solely painting with Williamsburg Oils, an American fine oil paintRead more